Teaching and Theses Supervision
Current Courses (2023)
Teaching English as a Foreign Language | |||
Bachelor of Education | |||
Basic Module | |||
Teaching Literature – Why? What? How? (TEFL II) | |||
Advanced Module | |||
Short Stories in the Advanced EFL Classroom (TEFL III) | |||
Intercultural Learning through Literature (TEFL III) | |||
Master of Education | |||
crit@SCHOOL: Critical Literacies and Foreign Language Education (TEFL IV) |
Archive of Courses Taught
Teaching English as a Foreign Language | |||
Bachelor of Education | |||
Basic Module | |||
Teaching Literature – Why? What? How? | |||
Advanced Module | |||
Keep It Short Not Simple: Short Stories in the Advanced EFL Classroom | |||
InBetween: Teaching Multiethnic Literature in the EFL Classroom | |||
Intercultural Learning through Literature | |||
Songs and Music Video Clips in the EFL Classroom | |||
Films in the EFL Classroom | |||
"I draw because words are too limited": Multimodal Novels in the Intermediate and Advanced EFL Classroom | |||
Master of Education | |||
Doing Research in the EFL Classroom (Project Seminar) | |||
"Caring Hearts and Critical Minds": The Theory and Practice of Value-Oriented Education | |||
Simulation ("Planspiel") crit@SCHOOL | |||
Literary and Cultural Studies | |||
Undergraduate Level | |||
First-Year Courses | |||
Introduction to Literary Studies | |||
Second-Year Courses | |||
What Is (the) Avant-Garde? Theories of the Avant-Garde | |||
African-American Drama: 1959-1975 | |||
Difficulty and Twentieth-Century American Poetry | |||
American Poetry of the 1950s and '60s | |||
Postmodern American Short Fiction | |||
Art as Experience: Pragmatism and Aesthetics |
Theses Supervision
Teaching English as a Foreign Language | |||
Bachelor Theses | |||
"Integrating Democratic Education into the EFL Classroom – A Class Project on the Topic of Migration" | |||
"The Teaching Potential of Short Stories of Initiation in the EFL Classroom" | |||
"Fostering Intercultural Communicative Competence with Drama Methods" | |||
"Teaching Dystopian Fiction in the EFL Classroom" | |||
"The Potential of Fictions of Migration for the Enhancement of Intercultural Competence in the EFL Classroom" | |||
"Entertainment and/or Education? The Teaching Potential of Songs and Music Video Clips in the EFL Classroom" | |||
"Let's watch the movie! – An Integrated Approach to Suzanne Collins' Dystopia The Hunger Games in the EFL Classroom" | |||
"Chances and Challenges of Differentiation in the EFL Classroom" | |||
"An Antiracist Approach to Angie Thomas's The Hate U Give: Teaching the Novel in the Advanced EFL Classroom" |
Education is not an affair of 'telling' and being told, but an active and constructive process.
John Dewey (1916)
Philosophy of Teaching
As an instructor, I feel committed to academic teaching rooted in three guiding principles: individual accountability, collaborative action, and critical (self-)reflection.
One of my main goals is to create a learning environment where students are encouraged to assume responsibility for their learning. This means that participants are led to abandon the commonplace notion of students as passive receivers of knowledge and to take an active role in planning, organizing, and managing their own learning process instead. I understand learning here to also mean learning with and from one another. Therefore, I foster student collaboration in the sense of mutual engagement and interaction among participants. To these ends, I implement student-centered teaching formats and methods aimed at holding students accountable for their learning – both as individuals and as members of the class as a community. These formats and methods offer opportunities for self-directed and self-regulated individual study and also include in-class and out-of-class peer instruction activities such as student presentations, student-led discussions, or peer evaluation and feedback. Last, but not least, critical inquiry lies at the core of my teaching philosophy. My goal is to empower students as future teachers of English by supporting them in their efforts to cultivate a habit of critical (self-)reflection. On the level of self-reflection, I routinely invite students to review how personal beliefs, experiences, and expectations influence their professionalization. What is more, I encourage students to scrutinize the institutions and practices of (English) education and their embeddedness in complex networks of political, social, and cultural forces.
My strategies in course design are geared towards making use of the benefits of blended learning. My preferred course format is therefore web-enhanced, i.e. a format that integrates web-based technology, specifically, the functionalities of the e-learning platform Moodle, to facilitate learning.
True to the precept of lifelong learning, I strive for continuous refinement and improvement of my teaching practice based equally on student feedback, collaboration with colleagues, and self-monitoring.