• Beginning October 2024: Postdoctoral Fellow, Kunsthistorisches Institut, Eberhard Karls Universität Tübingen
• 2024: Lecturer in Discipline, Department of Art History and Archaeology, Columbia University
• October 2023: Ph.D., Department of Art History and Archaeology, Columbia University. Major field: twentieth-century art; minor field: history of photography
• 2018-19, 21-22: Lecturer and Teaching Fellow in the Core Curriculum, Department of Art History and Archaeology, Columbia University
• 2014: B.A. with Honours, Department of Art History, Visual Art & Theory, University of British Columbia. Focus: European art, First Nations and Native American art, anthropology, critical theory

• Critical animal studies and posthumanism
• Interwar photography
• Surrealism
• Death, violence, and trauma in art
• Ecology, agriculture, and food systems

Book project: Rendering Bodies: The Slaughterhouse in Modern Art and Photography, a visual history of the industrial slaughterhouse and its connection to the use of photographic gelatin in early twentieth-century European photography and film

• 2023: “Pineal/Perineal: The Anthropological Divide at Monkey Hill,” Inside/Outside: The Threshold in Art and Architectural History, 47th Annual Art History Graduate Student Symposium, University of California, Santa Barbara
• 2022: “Pastoral Abstraction in Theo van Doesburg’s Study for Composition VIII (The Cow), 1917,” Mellon-Marron Research Consortium MRC Study Sessions, The Museum of Modern Art, NYC
• 2021: “The Recursive Rendering of Interwar Abattoir Photography,” Animaterialities: The Material Culture of Animals (including Humans), University of Delaware and Winterthur Museum, Garden, & Library Material Culture Symposium for Emerging Scholars, Newark
• 2019: “Rendering Bodies in Interwar Abattoir Photography and Film,” Ars Animalium, Rice University Department of Art History Graduate Conference, Houston
• 2017: “The Appearance and Disappearance of Nonhuman Animals in August Sander’s People of the 20th Century,” August Sander Project, The Museum of Modern Art, NYC

“Pineal/Perineal: The Anthropological Divide at Monkey Hill,” react/review: a responsive journal for art & architecture 4: “Subversion Zones: Bodies and Spaces at the Threshold” (2024)
“Pastoral Abstraction in Theo van Doesburg’s Study for Composition VIII (The Cow), 1917,” MRC Dossier 8, The Museum of Modern Art (2022)
“The Movement of the Fashioned Self: Richard Hamilton’s Fashion-Plate,” UBC Undergraduate Journal of Art History 3 (2012)