Kunsthistorisches Institut

Dr. Katia Denysova

Wissenschaftliche Mitarbeiterin

Room 08 (Entrance on the right side of the building)
+49 (0)7071 29-75304
kateryna.denysovaspam prevention@uni-tuebingen.de
Office hours: by arrangement via e-mail

Vita

Since Jan 2024: Predoctoral/postdoctoral fellow, Kunsthistorisches Institut, University of Tübingen

Spring-  summer 2025: Ukrainian Research in Switzerland (URIS) Fellow, University of Basel 

2022–2026: Co-curator, In the Eye of the Storm: Modernism in Ukraine, 1900–1930s, Museo Nacional Thyssen-Bornemisza, Madrid (30 November 2022 – 2 May 2023, winner of the Apollo Exhibition of the Year 2023 Award); Museum Ludwig, Cologne (3 June 2023 – 24 September 2023); Royal Museums of Fine Arts of Belgium, Brussels (20 October 2023 – 28 January 2024); The Belvedere, Vienna (23 February – 2 June 2024); The Royal Academy of Arts, London (29 June – 13 October 2024); Muzeum Sztuki, Łódź (27 June 2025 – 1 February 2026) 

2020–2024: PhD, The Courtauld Institute of Art, University of London

2012–2022: Associate Director, Senior Client Strategy Manager, Christie’s, London

2010–2011: MA Gallery Studies and Critical Curating, University of Essex


Forschung

Forschungsschwerpunkte

> Modern Art in Ukraine
> Central and Eastern European art
> Politics of identity and nationalism
> Regionalism and centre/periphery relations
> Postcolonial and decolonial studies


Publikationen

Bücher & Kataloge

  • ‘Imperialism, Colonialism and Ukrainian Identity: The Case of Mykhailo Boichuk’s School of Monumental Art’, in Critical Approaches to Art, Race and Coloniality in Eastern Europe, ed. by Dorota Jagoda Michalska and Marta Zboralska, New York: Routledge (2026)
  • W oku cyklonu. Modernizm w Ukrainie, Łódź: Muzeum Sztuki (2025); editor with Konstantin Akinsha
  • In the Eye of the Storm. Modernismen in der Ukraine, Vienna: Verlag der Buchhandlung Walther und Franz König (2024); editor with Konstantin Akinsha, Maryna Drobotiuk, Olena Kashuba-Volvach and Stella Rollig
  • ‘Modernism in Ukraine: Facts, Myths and Misconceptions’, in HIER UND JETZT im Museum Ludwig. Ukrainische Moderne 1900–1930 & Daria Koltsova, Cologne: Museum Ludwig/Verlag der Buchhandlung Walther und Franz König (2023): 62–70; with Konstantin Akinsha
  • In the Eye of the Storm: Modernism in Ukraine, 1900–1930s, London: Thames & Hudson (2022); editor with Konstantin Akinsha and Olena Kashuba-Volvach
    • Denysova, Katia, ‘From Kyiv to Paris: The Cosmopolitanism of Alexandra Exter’: 18–23
    • Denysova, Katia, ‘The Émigrés from Ukraine: Archipenko, Delaunay and Baranoff-Rossiné’: 104–109

Artikel & Wissenschaftstransfer

  • ‘Nina Henke (1893-1954), A Trailblazing Artist’, re/visions 8 (February 2026)
  • ‘Mykhailo Boichuk’, ‘Vadym Meller’ and ‘Viktor Palmov’, Grove Dictionary of Art, Oxford University Press (December 2024 – May 2025)
  • ‘Art for Justice: What Ukraine’s Artistic Heritage Teaches Us About Russian Imperialism’, London Ukrainian Review 3 (November 2024)
  • ‘In the Eye of the Storm’, in conversation with Klara Kemp-Welch and Maria Mileeva, Critique d’Art (June 2023): 113–128
  • ‘Decolonisation, De-Communisation and De-Russification of the Ukrainian Cultural Space’, special feature editor and contributor, immediations 19 (December 2022): 84–111
  • ‘From Folk Art to Abstraction: Ukrainian Embroidery as a Medium of Avant-Garde Experimentation’, Arts 11.10 (October 2022)

Vorträge

Konferenzen, wissenschaftliche Veranstaltungen
  • ‘Cultural Exchange in Times of War: The Case Study of Alexandra Exter’s Art Studio in Kyiv, 1918–19’, mini-symposium Crisis, Conflict and Collapse: Social Disruption and Minority Communities, XI ICCEES World Congress, UCL, London (July 2025)
  • ‘Modernism’s Future Pasts: Abstraction and Identity in “East-Central Europe”, 1910–1930’, panel co-convenor with Prof. Megan R. Luke, Association for Art History (AAH) Annual Conference, University of York (April 2025)
  • ‘Universal and Vernacular, Abstract and Decorative: Alexandra Exter’s Non-Figuration (late 1910s/early 1920s)’, panel Abstract Art and Colonial Systems, College Art Association (CAA) Annual Conference, New York (February 2025)
  • ‘In the Eye of the Storm: Ukraine’s Cultural Heritage vs. Russian Imperialism’, Rethinking Eastern Europe and Eurasia seminar series, School of Slavonic and Eastern European Studies, UCL, London (October 2024)
  • 'Modernism in Ukraine: Local Contexts, Intercultural Encounters and Transnational Exchanges', conference co-organiser with Dr Maria Mileeva, The Courtauld Institute of Art, London (October 2024)
  • ‘From Folk to Abstract: Ukrainian Embroidery as a Medium for Modernist Experimentation’, symposium Storms and Networks: Modernisms in an Extended Territorial Context, Belvedere 21, Vienna (May 2024)
  • ‘The “Russian” Avant-Garde in a Time of War’, invited panel participant, CAA Annual Conference, Chicago (February 2024)
  • ‘Fragmented Identities: Between Cosmopolitanism and Nationalism in Ukraine’s Early Twentieth-Century Art’, guest lecture at Vrije Universiteit Brussel (December 2023)
  • ‘Folk Modernism: Ukrainian Embroideries as a Medium for Abstract Art’, Year Three PhD Symposium, Courtauld Institute of Art, London (May 2023)
  • ‘Ornamental Constructivism: Elements of Ukrainian Folk Art in the Avant-Garde Experiments of Vasyl Yermilov’, panel Printing and Printmaking in Ukraine: Art Traditions and National Identities, BASEES, Glasgow (March 2023)
  • ‘Between Ukrainian Nationalism and Soviet Propaganda: Ukrainian Monumental Art of the Early Twentieth Century’, seminar at the Harriman Institute, Columbia University, New York (March 2023)
  • ‘Mykhailo Boichuk’s School of Monumental Art in Ukraine in the 1920s’, guest lecturer for MA in Beyond Utopia: Soviet and Post-Soviet Art and BA (Year 3) in Global Constructivism: Art Politics and the Everyday, the Courtauld Institute of Art, London (December 2022)
  • ‘From Neo-Byzantinism to Socialist Realism: Ukrainian Monumental Art of the Early Twentieth Century’, symposium The Collective Body Dismembered, SMK – National Gallery of Denmark, Copenhagen (May 2022)
Vorträge & Medien
  • Art, Modernism and Ukraine’, guest lecture in the series Modernism Around the World, Royal Academy of Arts, London (February 2025)
  • ‘In the Eye of the Storm’, curator talk, Royal Academy of Arts, London (August 2024)
  • Contributor to BBC Radio 4 Front Row (26 June 2024)
  • ‘The Many Faces of Ukraine’s Artistic Modernism’, curator-led exhibition tour of In the Eye of the Storm. Modernism in Ukraine, Lower Belvedere, Vienna (May 2024)
  • ‘Meet the Curator’, In the Eye of the Storm: Modernism in Ukraine, 1900-1930s exhibition presentation, Royal Museums of Fine Arts of Belgium (November 2023)
  • ‘Modernism in Ukraine, 1900-1930s’, exhibition presentation and book launch, in partnership with the Ukrainian Institute London, Cambridge Ukrainian Studies and the Courtauld Institute of Art (April 2023)
  • ‘Modernism in Ukraine’, book launch and roundtable conversation with Dr Klara Kemp-Welch and Dr Maria Mileeva, the Courtauld Institute of Art (February 2023)
  • Contributor to The Week in Art podcast episode Feast and Famine: Miami Millions and UK Arts Cuts. Plus, Ukrainian Modernism in Madrid (December 2022)
  • Contributor to Dash Arts podcast episode The Identity Series: Czesław Miłosz and the Borderlands (August 2021)