Panel with:  
Oladele Ayorinde (University of the Witwatersrand): Singing Nationalism in the Keys of Crisis: Music, ‘Wellbeing’ and Subjectivity on the Streets of Lagos, Nigeria
Christina Richter-Ibáñez  (University of Tübingen): Song and dance for a better life: Celia Cruz’s ‘La vida es un carnaval’ performed and heard in the Global South
Felipe Trotta (Universidade Federal Fluminense): Annoying Music Against Wellbeing: space, sounds and health in daily life

Fuji music (audio and video) and live performance: https://www.youtube.com/watch?v=otQxEsbxxug 
Video: https://www.youtube.com/watch?v=bIGzhcxHyDE
(from 2:27…): https://www.youtube.com/watch?v=NNYpAXnlwkM&t=139s 
Audio: https://www.youtube.com/watch?v=lQ2iQJSJxRA 

Celia Cruz’ performance in Viña del Mar, Chile 2000: https://www.youtube.com/watch?v=o8sg3p1HdI0 
Angélique Kidjo’s cover and music video directed by Chris Saunders, 2019: https://www.youtube.com/watch?v=hWPraO_Y4FY 

The role of music in daily life is often referred to as something valuable and, at the same time, challenging. In many places of the so-called “Global South” music is often played loudly in streets, public transport or neighborhoods and dance constitutes an important element of convivial gatherings. Although the lives of impoverished people or those in countries with difficult economic or climate conditions are rather exhausting, music often serves as a tool for producing subjective happiness. In this panel, three case studies will be discussing the role of music and sound throughout and beyond the Global South. The aim here is to raise issues and topics to encourage further debates across and after the International Forum. 

Oladele Ayorinde describes how the notion of ‘crisis’ shapes lifestyle among ‘common people’ in Lagos, and how Fuji music—an African popular music from southwest Nigeria— shapes subjectivity among this people. Christina Richter-Ibáñez analyses performances of Celia Cruz’s famous song ‘La vida es un carnaval’ which recalls that in spite of difficult conditions life has to be faced and it is easier borne by singing. In contrast, Felipe Trotta focusses on forced music experiences and sound in public space that prevent people’s wellbeing. Join in for broadening the discussion!