How important are the acoustic conditions in sacred spaces? Do there exist ideal conditions?
Are there good and less good conditions for the practice of religious rituals going beyond speech intelligibilty or the apropriateness of reverbation time?
Are there repercussions of room acoustics on the historical development of textual and musical contents of the rituals?
Are there repercussions of space on the implementation practice of the rituals?
Which are the intercultural and interreligious commonalities and differences and how do they depend on the acoustic-architectural characteristics of sacred space?
