Its location in the middle of the city center probably contributed to the fact that the vestibule was preserved and was not used as a quarry for building materials as other ancient edifices were during the industrialization of Egypt. Indeed, the temple had become part of the modern city. Houses and shacks were built directly against some of its walls, in other places it protruded from a mountain of rubble, as can be seen on postcards from the 19th and early 20th centuries. In the first half of the 19th century, the hall served temporarily as a warehouse for cotton.

As early as in Napoleon's time, the pronaos attracted attention in expert circles, as it was considered an ideal example of ancient Egyptian temple architecture. The real wealth, the inscriptions, was recognized by the French Egyptologist Serge Sauneron (1927-1976), who pushed ahead with the excavation of the temple and published the inscriptions in full. But without the original colors - Sauneron could not recognize them under the layers of soot and bird excrement. 

Since 2018, the two Tübingen researchers have been working with Egyptian authorities to uncover, preserve and document the paint layers. Even during the coronavirus pandemic, the work is being continued by an Egyptian team of 15 restorers and a chief conservator from the Egyptian Ministry. At regular intervals, the results are documented photographically in documentation campaigns. At the University of Tübingen, the finds are evaluated in terms of content and made available to the public via publications. Cooperation partners on the Egyptian side are Dr. Hisham El-Leithy, Mohamed Saad, Ahmed Amin, Mustafa Ahmed, Ahmed Emam. The project is supported by the Gerda Henkel Foundation, the Ancient Egypt Foundation and the Santander Bank.

Further information: www.esna-projekt-tuebingen.de