Uni-Tübingen

Moana Toteff

researcher


contact

Universität Tübingen
SFB 1391 „Andere Ästhetik“
Keplerstr. 17
D-72074 Tübingen

Room 11

+49 (0)7071 29-75109
moana.toteff@uni-tuebingen.de


short CV

2024–2025

gewähltes Vorstandsmitglied (Doktorand:innen-Vertretung)

seit 2023

Promotionsstudium an der Eberhard Karls Universität Tübingen (Fach: Latein)

seit 2023

Wissenschaftliche Mitarbeiterin im SFB 1391 "Andere Ästhetik" an der Eberhard Karls Universität Tübingen

2023

Abschluss des Masterstudiums an der Eberhard Karls Universität Tübingen

2021

Beginn des Masterstudiums an der Eberhard Karls Universität Tübingen (Latein und Englisch M.Ed. und Englisch Literatures and Cultures M.A.)

2021

Abschluss des Bachelorstudiums an der Eberhard Karls Universität Tübingen

2018

Erasmusstudium an der Durham University (Classics)

2016

Aufnahme des Bachelorstudiums an der Eberhard Karls Universität Tübingen (Latein und Englisch B.Ed.)


research

research project

The Festival Descriptions of Joannes Bochius

The research project works with Neo-Latin texts that were written and published in the early modern period by the humanist Joannes Bochius. Our corpus encompasses festival descriptions for Antwerp, epigrams, panegyric, poetry, and psalms. We focus on the festival books, however, which Joannes Bochius wrote as secretary of Antwerp. Because these texts were both politically and literarily motivated, they present a unique intersection of autological and heterological influence, which makes them ideal figures of aesthetic reflection. Our project plans to demonstrate the aesthetic potential of these books and how the performative acts of the processions are realized in the Latin text. The descriptive passages are accompanied by copper engravings, which illustrate the ephemeral architecture of triumph and thus create a direct and reciprocal relationship with the Latin descriptions. It is precisely this intermediality that we see as the instrument and vehicle of triumphal performativity. As part of the philological project, we therefore aim to formulate the textual elements of performative acts in correspondence or especially in divergence to the engravings.